Sunday, 21 April 2024
"Abigail" - Review
An absolute fucking riot and a hell of a good time.
Razor sharply written, and 100% my jam: blending 2 genres together and having so much fun with it. For about 45 minutes I could just happily watch these 6 assholes bounce off of each other in a kidnapper movie, and they are delightfully written: you want Dean dead SO SO MUCH, Peter and Sammy have an adorable double act going on (I love Kathryn Newton and am ELATED that people remember who Kevin Durand is, here relishing the chance to play a guy who's not simply 100% evil or a generic douchebag), Melissa Barrera remains fantastic and Dan Stevens? I am pretty sure he treats all scenery as a sumptuous, spicy buffet to dine upon and it is delicious. I am delighted that Dan Stevens has simply chosen to embrace his career as "B-Movie Legend" starring in weirder, bloodier fare like this and "The Guest" (watch "The Guest", that's a great movie). He steals the show as the sarcastic, sassy, furious, perpetually irritated Frank, surrounded by idiots.
That is, he steals the show until Alisha Weir does her thing.
It's a star-making, wonderful turn from her.
When the blood starts flowing and the carnage is unleashed, as you know it will be, they don't let up: you still root for these characters, and some of them last a LOT longer than you think they will in these sorts of films.
And everytime you think you know where it is going, or that you understand how these kinds of movies operate, it takes a sharp left turn, and remains on the rails.
A rollercoaster I am DEFINITELY going to watch again. A riot, so, so, so fun.
Saturday, 5 February 2022
"In the Heights" Review - From the Vaults
"In the Heights"
In Washington Heights, New York: an eclectic group of predominantly Latin American citizens dream of a better life; and a winning lottery ticket has been bought by the people... Against this backdrop, Usnavi (Anthony Ramos) tries to whoo the beautiful Vanessa (Melissa Barrera); Nina (Leslie Grace) is welcomed home from Stanford by the neighbourhood, her old friend Benny (Corey Hawkins) and her proud father Kevin (Jimmy Fucking Smits); and the looming spectre of gentrification threatens to envelop them all...
This movie is fucking spectacular.
There is no other word for it.
It is akin to an injection of pure euphoria into the eyeballs and brain, administered by masters of their craft.
Yes, the numbers are amazing without a dud in the bunch (personal favourites are "96000"; "Benny's Dispatch", "The Club" and "Paciencia y Fe") but so much praise has to go to John M Chu for making it electrifying to watch, stage and experience. He elevates this all above a clunky translation to the big screen and makes it feel like a true film, lets it breathe, lets it intoxicate you. Even the smaller, not as bombastic and more traditional romance number between Hawkins and Grace ("When the Sun Goes Down") is rendered gorgeous and mindbending with its choreography and creativity.
The underground sequence for "Paciencia y Fe" is going to be talked about for years to come.
Even if you're not a musical fan, I can highly recommend it for the technical capabilities on display.
This man directed the masterpieces of "Step Up 2: The Streets" and "Step Up 3D" and it fucking shows.
This is contender for movie of the year.
