Thursday, 12 February 2026
"Crime 101" - Review
(Credit: Showcase Cinemas)
It's nothing you've not seen before, but the execution is astounding. Director Bart Layton (weirdly NOT adapting Don Westlake, as I thought from the trailer, as it feels very much like an adaptation of "Parker") throws "Thief" (a LOT of that movie), "The Driver", "Drive", "Heat" and any other number of cops and robbers movies into a blender and hits puree. The ingredients are familiar (Ruffalo's detective is a pile of cliches heaped into a suit, Nick Nolte unfortunately shows up to grumble-mumble his way through a scene, Barry Keoghan plays the psychotic young upstart who changes the game), with a brilliantly composed thief unable to make human connections and a cop on the edge whilst "one last job" brews and our thief meets a girl and yadda-yadda... But the result is actually fantastically well shot and put together: lots of parallel edits, Mike shot in boxes and lines to match his possible future in prison and his orderly life, little details to flesh out the characters and their worlds, touches and flourishes, great lighting and use of mood and atmosphere. Despite mentally ticking off a list of things I'd logged and registered, I felt my butthole puckered tight during the finale as it genuinely gripped me and threw a few curveballs in the last act. Keoghan steals the show with a fantastic brazen daylight robbery, a pink motorcycle jacket and a great chase; but Ruffalo and Berry really worked in the leads and elevated their characters, whilst Hemsworth suits this nicely. Jennifer Jason Leigh is utterly wasted in a thankless 2 scene role.
I enjoyed this more than I thought.
Saturday, 5 February 2022
"In the Heights" Review - From the Vaults
"In the Heights"
In Washington Heights, New York: an eclectic group of predominantly Latin American citizens dream of a better life; and a winning lottery ticket has been bought by the people... Against this backdrop, Usnavi (Anthony Ramos) tries to whoo the beautiful Vanessa (Melissa Barrera); Nina (Leslie Grace) is welcomed home from Stanford by the neighbourhood, her old friend Benny (Corey Hawkins) and her proud father Kevin (Jimmy Fucking Smits); and the looming spectre of gentrification threatens to envelop them all...
This movie is fucking spectacular.
There is no other word for it.
It is akin to an injection of pure euphoria into the eyeballs and brain, administered by masters of their craft.
Yes, the numbers are amazing without a dud in the bunch (personal favourites are "96000"; "Benny's Dispatch", "The Club" and "Paciencia y Fe") but so much praise has to go to John M Chu for making it electrifying to watch, stage and experience. He elevates this all above a clunky translation to the big screen and makes it feel like a true film, lets it breathe, lets it intoxicate you. Even the smaller, not as bombastic and more traditional romance number between Hawkins and Grace ("When the Sun Goes Down") is rendered gorgeous and mindbending with its choreography and creativity.
The underground sequence for "Paciencia y Fe" is going to be talked about for years to come.
Even if you're not a musical fan, I can highly recommend it for the technical capabilities on display.
This man directed the masterpieces of "Step Up 2: The Streets" and "Step Up 3D" and it fucking shows.
This is contender for movie of the year.
